Tag Archives: arise

Arise: African Collective Spring 2012




Rushing to the show after work in steady rain was a fitting, albeit frenetic precursor to the ARISE Show, whose theme was simply Water. The collective showcase of African designers benefitted clean water projects for the region, and reminded us all sharply how luxurious NYFW and living in New York simply is in comparison to the third world situations across the globe.

A mix of business casuals straight out from their 9-5 and the “to be scene-sters” waiting to capture the attention spans of the fashion blogosphere filled the Avery Fisher Hall in Lincoln Center. Waiting in the crowds, occasionally scanning the torsos of glamazons (both male and female) was slow and disorienting having spent the first 15 minutes after receiving my ticket in the wrong side of the hall.

The show was incredibly slow to start, seemingly from technical issues, and murmuring from the crowd became the subscript behind the pounding tribal beat soundtrack. Eventually, the group got their act together and opened with sale-able contemporary pieces in graphic black and white with paneling of cheetah print.

The diversity of models was quite suprising, in the best ways, from black, white, asian, famous, and the not-so-famous. Suffice it to say, the ARISE collective won major brownie points in the diversity hiring department. Major players in the collective were mostly graphic, brightly colored in rich vegetable dye hues. Some sheer, shimmery, and flowing evening pieces were also shining stars. A bright pink and purple colored tie-dye caftan was worthy of Rachel Zoe and a feathered mermaid style seemed likely to show up on a red carpet somewhere in Hollywood. While some designers decidedly took a literal representation of the aquatic theme, others took a different perspective and played up the less obvious qualities of water. Ornate evening dresses, in all lengths, were sequinned and embroidered, reflecting and shimmering in the catwalk light. Feathered pieces hearkened back to aquatic animals and glittery cigarette pants reminded us of fish scales. Sheer ballgown lengths lended their likeness to the transparency of water.

The night was not without its climactic drama as one of the designers took a spill of the stage in her dangerously high heels. Collective audience gasp ensued, and we wondered what terrible luck had befallen this poor woman. Luckily enough, she survived, mostly bruised in ego and not in body and walked the catwalk to a standing ovation (hopefully for her collection and not for the unfortunate spill she took moments before).

Overall, the show was a fine medium. Mediocre ready to wear at worst, and true artisanal creations in both structure and color combinations at absolute best. A few pieces seemed oddly tributary to the late Alexander McQueen which reminded us of how truly great he had been. Replicating such genius never comes easy and can be harshly telling when not sourced and executed correctly. However, the show was not without it’s own stellar uniqueness and the talent behind this collective seems on trend and confidently here to stay. Having already 2 successful years on the NYFW roster is nothing to scoff at for a burgeoning design force.
– Rachel Rozzi



Photos by Stevyn Llewellyn

Arise: The African Collective

Arise Magazine showcased 3 notable South African Designers for it’s Fall 2010 launch at the tents: Black Coffee, Nigeria’s Deola Sagoe and Tanzania’s Loin Cloth & Ashes.

Designers Jacques Van Der Watt and Danica Lepen make up the identity of Black Coffee which debuted a wonderfully dramatic yet soft line of pleated coats and dresses. Voluminous and muted, coats appeared in shades of rose, nude, salmon, slate and putty. The designers looked to Picasso, and his cubist reinterpretation of African masks. Hence, the quiet tones, the bell like proportions, the geometric folds.

Loin Cloth and Ashes went the decidedly modern route with the emphasis on strong shoulders for jackets and long slinky silk dresses. Playful nude and black stripes showed up in a drop waist dress which was unexpected and fresh.
Deloa Sage’s military inspired line continues the trend of sexy ripped tights, flourishes of lace and small braided epaulets for the shoulders. Her strong look at me silhouettes felt confident and assured, and felt made for the downtown set.

Arise magazine has managed to be the forerunners of introducing the world to global style. And it’s quite evident that South Africa has its own talent on the rise.
— Jeanie Kwak
Photos by Stevyn Llewellyn

Arise: The African Collective—Exclusive After Party Photos

Arise: The African Collective threw it’s after party at the Plaza Hotel on February 23, 2010, including a surprise performance by R&B singer Solange who performed her hit single Sandcastle Disco. We have exclusive photos off all the attendees of this event on our special facebook page here: ARISE AFTER PARTY
If you were photographed at the party by our Modern Glossy photographers, check it out, tag your friends, and become fans on our facebook page for special exclusives.

This Day/Arise Fashion Show

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Photo by Sandra Rosales

This Day/Arise Magazine featured four designers in their African Fashion Collective 2009 show in the Bryant Park tents. Tyson Beckford, Alex Wek, and many other African-American super models walked the runway.  Xuly.Bët, Funkin’ Fashion Factory was first up in the evening’s lineup. The models proudly strutted down the runway in form fitting sportswear constructed from corduroy, velour, denim, and pleather.  A patent-leather head to toe look and denim jumpsuits rounded out the ensemble.  The androgynous face of Grace Jones stretching and morphing on a screen behind the models was the real crowd pleaser of this portion of the show.

The second designer, Tiffany Amber, followed with pretty shantung dresses edged with intricate beading. Her attention to detail was evident in the colorful flower embroidery and wooden beadwork of her garments. Stoned Cherrie’s collection consisted of swing jackets and high-waisted cigarette pants, pretty cap sleeve dresses and blouson-sleeved shirts. The teardrop cut outs rimming the neckline of a dress had images of little purple women dancing inside- a beautiful, intricate detail. Momo’s collection was composed of animal printed silk knits and cashmeres which would be apropos in Palm Beach. The flapper-style hats provided a nice cohesive element to her line-up.

The show was extremely entertaining and festive and the exuberant crowd was one of the most supportive audiences I’ve ever encountered at a runway show. The presentation closed with looks from all four designers along with long white cotton dresses printed with President Obama’s likeness, which made for a perfect ending to an optimistic, upbeat show.

– Lyndsay Skeegan

Photos By Sandra Rosales